STORIES THAT BRIDGE GAPS BETWEEN CULTURES AND NATURE.
-CAMPBELL DALGLISH
D’Arc Productions
Los Angeles CineFest
Feel The Reel International Film Festival (2016)
Lake View International Film Festival (2016)
AWARDS FOR ROAD KILL
NOFI, INTERNATIONAL FESTIVAL OF NEW AND ORIGINAL FILMS/CALIFORNIA
Won GOLDEN NOFI FOR BEST NORTH AMERICAN FILM (USA)
BEST FILM AWARDS/ROMANIA
Won BEST FILM, BEST ACTOR, Nominated for BEST ACTRESS
ACCOLADE GLOBAL FILM COMPETITION/CALIFORNIA
Won AWARD OF RECOGNITION: FILM SHORT
LOS ANGELES CINEFEST/CALIFORNIA
Won BEST OF THE FEST
LAKE VIEW INTERNATIONAL FILM FESTIVAL/INDIA
Won BEST DIRECTOR
FEEL THE REEL INTERNATIONAL FILM FESTIVAL/GLASGOW UK
Won BEST ACTRESS and 3RD BEST OF THE FEST
Nominated for BEST DIRECTOR, BEST SCREENPLAY, BEST EDITING
RED CORNER FESTIVAL/SWEDEN
FINALIST
INTERNATIONAL MONTHLY FILM FESTIVAL/DENMARK
Nominated for BEST OF THE FEST
OFFICIAL SELECTIONS FOR ROAD KILL
MANHATTAN FILM FESTIVAL
April 25th 2017 at Cinema Village, 22 E. 12th St. NY, NY
PHENICIEN INTERNATIONAL FILM FESTIVAL
February 15, 2017, FRANCE
NOFI, INTERNATIONAL FESTIVAL OF NEW AND ORIGINAL FILMS
February 7, 2017, CALIFORNIA
DFK NEW WAVE
February 27, 2017, INDIA
CULVER CITY FILM FESTIVAL
November 28, 2016 CALIFORNIA
BUCHAREST SHORTCUT CINEFEST
December 31, 2016, ROMANIA
WIIFA. WOLVES INDEPENDENT INTERNATIONAL FILM AWARDS
November 28, 2016, LITHUANIA
MOVING PICTURES FESTIVAL
November 29, 2016, BELGIUM
CANADIAN DIVERSITY FILM FESTIVAL
November 28, 2016, CANADA
STONEFAIR INTERNATIONAL FILM FESTIVAL
December 17, 2016 ROMANIA
Review for Road Kill
“Sometimes, people are put in circumstances where they have to make a decision which they are perfectly aware that will completely shape the rest of their lives. We’re not talking about black and white choices, but complex processes, where a subconscious fight between morality, love, selfishness and a sense of self-preservation ensues. One last masterpiece where these themes intertwined into a powerful and moving experience was Steven Knight’s ‘Locke’. There, Ivan willingly and single-handedly destroys his treasured family life and career by making what he regards as a moral decision. Somewhat similarly, in ‘Roadkill’, Steban has the choice of either owning up to the accident he had caused and facing the music or running away from responsibility into the relative comfort of his otherwise problematic marriage…”
-STONEFAIR INTERNATIONAL FILM FESTIVAL
D’Arc Productions
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